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Unlike humans, microphones and audio-recording devices are objective about the sound they hear and pick up. If you’re a crew member in the sound department of a production, it can become a real chore managing the shooting environment to get the best sound possible. Even in a quiet space, we naturally tune out many sounds that a microphone doesn’t. Just as in the exercise in Chapter 2’s “Sound Design” section, notice the different sources of sound around you now. When this LTC signal is input into the same audio interface as audio, the timecode will have sampling accuracy depending on the quality of the LTC signal.FIGURE 4.2 The boom operator at work on a wide shot Managing the Environment
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